A recent review by The Seattle Times has ignited backlash from fans of Stray Kids, stirring accusations of xenophobia and condescension. The article, published on May 25, covered the boy group’s electrifying concert at Seattle’s T-Mobile Park, and while it initially seemed to applaud their performances, various remarks left many readers unsettled.
One particular comment drew ire when it suggested that Stray Kids were “practically grown in a lab,” juxtaposing K-pop’s rapid growth against the enduring dominance of American pop. Critics found this phrasing particularly offensive, dubbing it both tone-deaf and patronizing.
In another part of the article, the writer described Stray Kids’ musical style, saying, “If an entire song is a hook, does it even have one?” This critique did not sit well with fans, who felt it belittled the group’s artistic depth and versatility. Many were quick to defend their favorite artists on social media, expressing disbelief that such comments could arise from a veteran journalist with years of experience.
Responses flooded in, with one tweet expressing confusion over the writer’s stance, stating, “Am I too woke or is this kinda xenophobic?” Others echoed this sentiment, arguing that dismissing their music as merely catchy hooks fails to recognize the band’s creative experimentation across various genres.
Fans didn’t hold back on social media platforms, condemning the article’s tone and content. Comments ranged from accusations of unprofessionalism to claims that the writer demonstrated a narrow understanding of K-Pop—an expansive genre with rich artistry that Stray Kids embody.
One passionate fan tweeted, “What a shameful article! It seems like the person who wrote it didn’t even try to research anything about the group.” Another added, “This isn’t just some bubblegum pop with no depth, and the audience isn’t just teenagers.”
The controversy surrounding the review highlights a growing chasm between K-Pop fans and traditional media portrayals of the genre. As Stray Kids continue to make waves globally, reactions like these serve as a reminder of the ongoing struggle for recognition and respect within the ever-evolving landscape of music.
As the conversation unfolds, one thing remains clear: Stray Kids’ dedicated fanbase isn’t going down without a fight, ensuring their voices are heard loud and clear in the face of criticism.
